Tango Types (II): The Tangueras
In this installment, and by popular demand, we present the second part of our Taxonomy of Tango Types, devoted to those Tangueras we see at the Milongas--the ones who sit next to us, the ones whom we watch dance, and the ones who dance us in so many, many unforeseen ways..., sometimes even outside the dance floor. I'll admit that, aside from the views that, as followers and fellow-females, Ms. DF and I may have on the Tanguera Types, the selection below also reflects a wealth of information compiled at lengthy discussions with my closest Tanguero Friends. And finally, I have to clarify that the earlier caveat applies: any strong similarities between the Types presented here and the people you know so well, is purely coincidental ;)
Section I: The Bitches
I.1 The Real Hot-Shot Bitch
OK. So here it is-- I will admit to the fact that there may be some Real Hot-Shot Bitches dancing around in the Milongas: the mirror image of the "Real-Hot-Shot Jerk". This type includes all those dancers who deserve significant recognition given their amazing dancing skills, style and grace... but who have just become nasty and picky as hell, and won't ever, ever dance with any leader with Tango-abilities below to what they consider to be their level, for fear (admitedly, very often justified...) that the leader will make them "look bad". The problem, again, is not the decision per se--but the bitchiness with which they reject the leaders' offers, or with which they stop dancing in the middle of a tanda when they are not sufficiently happy with it.
With all this said, I'll venture a daring claim: according to my own perception, the share that the Real Hot-Shot Bitches represent in the total population of Hot-Shot Tangueras is smaller than the share of Real Hot-Shot Jerks in the total population of Hot-Shot Tangueros. Really: I can think of a much larger number of excellent teachers and top-follows who I have seen dancing with "unknown" leaders at Festivals and common Milongas, compared to the number of Hot-Shot Tangueros venturing out of their "circle of trust". Whether this is because there are just fewer Hot-Shot Tangueros, and so Hot-Shot Tangueras just cannot afford to be as nasty, or because females just have more tolerance for risk continues to be a mystery to me...
Female advice: Dear Real-Hot-Shot-Bitches, if you are going to say "no, thanks", (which you have a right to do), please consider being sweeter about it...
I.2 The Wannabe Hot-Shot Bitch
Oh, the memories of the Wannabe Hot-Shot Bitch! She does not only want to be considered a top Tango dancer--she also wants to be in the cool clique no matter what, hanging out with as many Teachers and Hot Shots as humanly possible. She tends to be pretty, in shape, and is clearly a shameless go-getter, and will do whatever it takes to break into any circle, as part of her quest to mutate ASAP into the double of Geraldine. The end target is to remain sufficiently close to the "in" crowd, so that she can actually be invited to teach or perform at a Milonga (preferably during a Festival) with some Hot-Shot Leader, to solidify her reputation as a Hot-Shot; more often that not, she succeeds, because she knows how to try...
At the end of the day, I have to give some credit to the Wannabe-Hot-Shot Bitch. While in reality she may not be that good, she is, for one thing, damn sure about herself. Actually, she obviously truly believes she is better than she is (and than pretty much every other follow in her community), and with this, she gets the adrenaline to market herself, and manages to convince others (or at least the relevant people) of the same thing, and move ahead. Hummmm. Definitely, there is a lesson to be learned there...
Female advice: Dear Wannabe: nothing wrong with having high aspirations. Just make sure to stop trying to step on other people as you climb up...
I.3 The Chaser
Well, let's face it. Excluding from BA, there is no much Cabeceo going on at the Milongas worlwide. Both in the US, and in Europe, Leaders usually approach the Follows to invite them to dance. And, depending on cultural backgrounds, some Follows may also be more prone than others to dare to invite a Leader for a dance... particularly in situations in which the gender ratio at a Milonga is too unbalanced. At the extreme of these "more daring" follows, we have the Chasers... those who literally become the shadow of the leaders they want to trap. They may ask them for a dance... and the leader may invent a suitable excuse to say "later". And much on the spirit of the Baby-Sitter Jerk, the Chaser just hangs around her victim until he gives in.
Female advice: Dear Chaser: Please, think long-term. You won't get too far by asphyxiating a leader into dancing with you today, if he's just going to escape from you tomorrow, and the day after. Invest in your tango skills so that the leaders want to ask *you*. I mean, in the end, do you really want just a bunch of Charity Dances?
Section II: The Rest of the Tangueras
II.1 The Hanger
Dear Follows: you have no idea how many Tangueros complain extremely bitterly about the Tangueras who hang from them during the dance, literally making them finish their tanda with terrible shoulder and back pain. This is a basic in Tango technique for followers: don't huntch, don't hang, take responsibility for the position and balance of your body during the dance--milonguero style or nuevo, the leader is not there to carry you around as if you were a sack of potatoes, my dears. If you listen to me, I promise you many, many more happy tandas!
II. 2 The Eager-Beginner
Eager-Beginner is taking this project of learning Argentine Tango with a lot of energy. She has just started a few lessons, and she is already mentally prepared to go to the Milongas. Sometimes, Eager Beginner sits for just way too long at some of these events--nobody knows her yet, nobody asks her to dance. But tonight, Aspiring Teacher has come to the Milonga! Once his radar detects this pretty and young girl who has just bought her first pair of Comme-Il-Fauts, he knows this is his night! And how not??? Eager-Beginner is there, sitting, all ready to demonstrate that she's really improving fast to the whole Tanguero population. Aspiring Teacher (and suddenly Aspiring Chicho) will try on her every move on Earth, Tango and non-Tango: ganchos, boleos, jumps, piernazo attempts, enrosques, and even having the Eager-Beginner do splits on the floor (seriously, I saw an Eager-Beginner do at leat two gymnastic splits while dancing to D'Arienzo in a milonga at the DC Tango Marathon last Thursday!).
Female Advice: Eager-Begginer, listen, this is not about your ability to dance. You are probably going to be great, because you have the genes (I mean, look at that flexibility and balance you already have!!)... but give yourself some time. Really, learning Tango well, takes time. And it also takes recognizing (and running away from) the leaders who are idiotic enough to get you injured on the dance floor. Do yourself a favor, and take it slowly. I promise you, it will pay off :)
II.3 The Adornista
Some Eager-Beginners never slow down. Sometimes, they develop into Adornistas, as they keep perfecting the many fantastic moves and adornos that the Aspiring Teachers have taught them to believe conform Tango. The Adornistas are actually truly fascinated with themselves. As they gather control and balance, and understand the music better, they discover a world of endless opportunities for self-expression, and throw into the dance all kinds of elegant (and not so elegant) adornos, over and over again: the leg-rubs-leg, the hand-rubs-his-hair, the hand-rubs-hand, the shoe-rubs-floor..., driving the good leaders nuts.
Female Advice: Dear Adornista: You have the spirit and the fire in you... and that is great. But as everything in life, those adornos are precisely that: the icing on the cake, not the cake. They are the accent, not the word, nor the sentence. Learn how to use them wisely... and really shine.
II.4 The Leader
We love Tango, we want to dance, we go to the Milonga, and hey..! Wait a second! Where are the Tangueros??? Why are there only three beginners and the (female) DJ in the whole Milonga??? Oh, No...! What about all of us, experienced Follows? Are we just to sit around, praying for more leaders to arrive? Or should we leave and go listen to D'Arienzo in our iPods at home?
And so comes female freedom.. and the woman who can feel the Tango music, and express it as a leader, enjoying a completely different, and fulfilling dimension of the dance...
II.5 The Tango Barbie-Doll
Sweet doll. Pretty dress, long hair, long eyelashes, long legs, big boobs. A lot of lipstick. She comes in all varieties to play around: the Blond Tango Barbie, the Latin Tango Barbie, the Far-East-Asia Tango Barbie, the Middle-Eastern Tango Barbie... Extra features: automatic smile; push a button and she'll cutely celebrate the mistakes you make when you lead her. Upgraded model who actually can dance is available, but in high demand, and must be ordered in advance from Toys-R-Us.
Female commentary: Hum. Is Tango Ken available???
II.7 The Born-DJ
Thank God for those Tangueras who, aside from being excellent dancers, are also Born-DJ's!!! Some of them, will play for us in big Festivals and make our times a pleasure (like Shorey, Yulia and Yesim); some others (and you know who you are) will play for us more privately, in small milongas and practicas, and make us feel cared for.
II.8 The Ray of Light
There are some sunny Tangueras who will always have a smile in their faces, a light in their eyes, and a brightness to them. They are kind to all, optimistic always, whether they are sitting, whether they are dancing with a beginner, whether they are having the most blessed tanda with a Nice Tango-Shot. Some of them may have better technique or musicality than others--differences so subtle to me, since I don't lead--all I know is that Tangueros *love* them. And it is not difficult to see why.
Female commentary: I want to be like them, when I grow up.
II.9 The Shy Girl
This is the female version of the Quiet Tanguero: the Tanguera who remains aside--who is a quiet beauty, very bright, extremely sweet, and often a truly great dancer... but it is also the one who you can only get to know and whose Tango-dancing skills you can only appreciate once you give her the opportunity and ask her to the dance floor.
Female commentary: Dear Tangueros, take your chances. You may win so much from asking the Shy Girl to dance a tanda!
II.10 The Lady
We have all come to a Milonga at some point and met an elderly lady who was a true Tanguera--she may have learned in BAs years ago, when she was growing up, and now she keeps on dancing her Tango, with her heart out in the dance floor. Or maybe she has never been to Argentina, but somehow, in her older years, Tango has touched her and given her new life.
Female Commentary: These are the Tangueras who are truly young.
II.11 The Independent Mind
Leaders, many of you really don't like The Independent Mind-Tanguera, because she pretty much dances with herself, instead of dancing with you. If not a very experienced dancer, she'll just do whatever she pleases... driving you into diverse stages of frustration at the lack of connection becomes more evident. But it can also happen with more experienced dancers, especially when dancing with less experienced Leaders... who choose to back-lead them because they are not satisfied with their musicality or interpretation.
Female Advise: Dear Independent Mind: C'mon, give your Leader a chance... and consider that it might be better to not dance at all, than to dance a disconnected Tango...
II.12 The Relationship-Committed
There is not much to say about the Relationship Committed Tanguera. She might be the greatest dancer, but since she only dances with her boyfriend/husband/significant other, there is just no way to find out...
Female Advice: Dear Relationship-Committed: there is much to win from venturing into the real world. Plus, have you heard about risk-hedging?
II.14 The Perfect Follow
The Perfect Follow is an intriguing kind to me. All the leaders I know praise her non-stop. "She is fantastic" "She fixes you, when you are dancing" "She has an amazing connection" "It is how she feels"... that's all I get when I ask what makes her so good. Well, sorry, guys, I still don't understand. She looks very smooth and musical, and she is great as a person... but from the outside it is not obvious why she is just so perfect as a Follow..., and yet, I know I need to know...
Female Commentary: Another reason to learn how to lead...
II.15 The Nice Hot Shot
She is sweet. She dances with everyone. She is sexy, she is beautiful, she's stunning. She is musical.
Female Commentary: Dear Tangueros, lucky you! Enjoy!


12 comments:
Spot on La Tanguera!
>II.14 The Perfect Follow
I've only been dancing for a little more then an year, but I've been fortunate enough to dance with some of these "Perfect follows". I will make an attempt to describe why are they perfect, as I wish more follows would follow (sic) in their footsteps.
Here are some of their qualities :
Warm embrace - Their embrace feels like a hug you get from a close friend you haven't seen for years. And it lasts for the entire time you dance with them. It's relaxed, unhesitant, and you feel like you have ALL their attention. Once in a while you find a beginner that has this quality, and many (of the better) leads are just happy to dance with them despite their other shortcomings. This rare kind of embrace sucks all the tension out of me and allows me to completely relax and be at my best. I've danced in Boston, NY and Montreal, and I find Montreal had the most follows mastering this embrace. I can't wait to go back.
Grounding, presence, balance - They maintain their axis, they hold their own weight, they don't use the lead for balance and they are able compensate for a bit of imprecision of the leaders part without compromising the smoothness of their move. I have to elaborate on this as I think it's a quality that is often overlooked. I don't care how good a leader is, he will sooner or later take the follow a little off axis during a turn. The "Perfect follow" will not tense up, she will communicate she is taken off axis by a slight increase in groundness, she will maintain her upper body vertical (as opposed to her tilting her entire body) by allowing her supporting leg to bend at the hip yet not allow her knee to go soft. As a result, she will go off axis but remain light, at the same time communicating to the leader she is off axis so he can correct.
Calm following - This is closely related to "Grounding & presence" but I felt it deserves a paragraph of it's own. The "Perfect Follow" will not get ahead of their leader, they follow through the step (as opposed to step on their own after the initial intent was communicated by the lead) maintaining their presence. This technique allows them to follow any change in the dynamic of the step a lead will make, including but not limited to : stops, sudden accelerations or decelerations, micro-rock steps, marking beats by slight dynamic changes while in a slow move, etc. She steps without hesitation, matching the dynamic of the lead.
Musicality - This one is going to be difficult to explain. The "Perfect follow" often looks to the outside observer like she's merely a passive dancer, not doing anything that wasn't lead, just being a receiver. That is misleading, as this cannot be further from the truth. With the "Perfect follow" a good leader will be able to have a bi-directional communication, in which he leads something, and she responds with her interpretation of the move, by varying the dynamic of the move, without breaking connection. That of course requires the lead to listen and not move like a steam roller. In addition, she never loses connection with the music and she takes the openings the lead offers to adorn or make her own contribution to the dance, As a result of all this, as a lead, you feel like she is dancing (with you, not by herself) and not merely move when the lead moves.
Unclear lead management - As a less then experienced leader I often don't lead as clear as I'd like to, and the follow is put in the situation of dealing with that. A "Perfect follow" will not tense up or start to resist movement as they're trying to figure out what the leader is trying to do. They will move, executing something that is compatible with the unclear lead, not lose their musicality or posture. Fortunately, as I gain experience these moments are getting less and less frequent, but they will still plague my dance for a while, and this is a quality that really helps.
Icings on the cake - The following qualities are for me, the icing on the cake, not required for an awesome dance, but if there, it's magic!
Navigation assistance - Many times when I dance in a crowded space, I make educated guesses on how the other couples are moving and act on those guesses. I cannot play it very "safe", if I did, that would not be a dance, it would me dodging other couples. I'm sure that more experience will help, but unfortunately one cannot buy that at the corner store. So until I can develop eyes at the back of my head, I will make guesses and take some chances, trying to balance the dance and the risk of bumping into others. Some really good dancers I've had the honor to dance with, would gently squeeze my hand, or tighten the embrace as a signal that I'm about to bump into someone, and they did that without tensing up or trying to resist the move, which allows me to gracefully avoid the impact
Playfulness - Too many people are just concentrated on their feet when they dance, they forget they have shoulders, hips and the ability to disassociate one from another. I was lucky enough to dance with dancers who, while following the steps I was leading, they would use their upper body to express something in the music, maybe a stray note, or a playful instrument bite, but at the same time, not allowing that to become distracting (for the lead)
Dear Sorin,
Wow. This is extremely good--Many, many thanks!! I guarantee you that many tangueras, as much as myself, are grateful for your shedding a bit of light on what this is about--hoping that knowing will get us a bit closer to it!! :)
Tanguera
What's wrong with the Tango Barbie-Doll ;-)
Dear Patadura,
I'm sure nothing is wrong with her... I just described her as an amazingly popular doll! I'm also sure you know that, you do sound like you have your own collection (kidding of course, you just begged for the joke) ;-)
With appreciation,
Tanguera
PS --You have a nice website!!! My native spanish serves me a bit to read your french--a pity I don't know more!
And even in a room full of male leaders, a woman can be one of the best!
Hola tanguera,
I have some functional categories for you, at a somewhat higher resolution, and overlapping.
The Loose Cannon, whose free leg flails uncontrollably and dangerously in ganchos, boleos and big moves that were never led.
The Turtle, whose ribs, somewhere along evolution, fused to shoulder blades, clavicle and pelvis, to result in a stiff follower with no articulation along her axis
The Plutonium Rod, itty bitty skinny girls who are much heavier than the laws of physics would have you think is possible
The Limp Noodle, who is pliable enough but coasts along as if the music wasn't there, like spaghetti sauce without the meat balls
The Short Stop, who takes mini back steps and lands before the leader does, causing him to have to stop short at every step
The Abyss, who walks on her heels and pulls the leader towards her, causing him to teeter and lose his balance
The Seismic Event, who steps so heavily that the landing is felt in the embrace
The Newton, hard to put in motion, and once in motion, impossible to stop
The Stealth Ganchera, who plants un-led ganchos whenever the leader takes a big enough step. Can be fun for experienced leaders.
The Heisenberg Princess, you just never know where she'll be
The Desaparecida, she's so light it's like she's not there (in a bad way)
The Maserati, the power steering, acceleration and the overall responsiveness are just exhilarating! Maseratis should be more popular than they are, this is probably explained by the fact that they are quite a scary adjustment for the typical truck driver.
The Impatient Teacher, who interrupts the dance to teach the leader how to compensate for her mistakes.
The Absent Mind, whose gaze and attention are on other dancers, furniture, groceries, anywhere but on you.
PS I am myself a follower who leads, usually I invite a sitting follower at the second song of the tanda, so I dance with less experienced women a lot, although occasionally I get lucky and dance with a nice hot shot.
Discerning milonguera
Discerning Milonguera-These new types are absolutely hilarious. Thank you!!
You rock, Sorin! This is right on and hilarious without being self-serving or mean-spirited
Dear Anonymous,
Ewwhhhh.... Sorin? ;-) I love his blog (and his posts), but this is *mine*...
Truly Yours,
Tanguera
I was so wrapped up in the Tanguero Types that somehow I never got to read this post until today! This is classic: so well-written, very true and very witty. And the comments are great, too.
Hilarious! But very true!
Post a Comment